Tag: Use Both Beautiful Sides (Page 2 of 2)

Mysterious Values

Estimated reading time: 5 minutes

Learn how to overcome the mysteries of value. It’s easy!

Value can be a head-scratcher. Learn the simple tip for how to conquer fabric value!

To begin, you need to come to terms with the fact that fabric values change, depending on what is next to them. Initially, I was resistant to this!

When separating your fabrics for a new quilt project, you might wonder how to know which fabrics go where!

Image of Fabric Stash How to determine fabric value
Darks, mediums, and lights.

Undoubtedly, it’s about more than piles of darks, mediums, and lights. The key is to learn how to measure their value.

I learned a valuable (wink) lesson when I stumbled upon the nuances of value when using both sides of fabric. See my design story HERE.

Up to this point, my method for separating values didn’t account for what those fabrics were next to. Consequently, two very cool Bonnie Hunter quilts I made (and still love) never displayed the secondary pattern her designs are known for. What did I do wrong?

Test your values.

How can a fabric value change, you ask? While the value of the fabric itself doesn’t physically change, how you see that value is affected by what is near it. Let me explain and then give you a simple way to test your values…

My Light looks too dark when I use that light of a Medium!

confused quilter

The three piles of fabrics shown above are my selection for the free River Heritage Mystery Quilt Pattern I am designing for my quilt guild. Darks, Mediums, Lights. This should be straight forward.

However, when you place, for example, a darker Light and a lighter Medium next to each other, they suddenly look similar in value. Color can make it difficult to determine value.

So how do you remove color from fabrics you are auditioning?

Take black and white photos. I learned this by testing values of both sides of fabric. Each pattern I design that uses both beautiful sides of fabric comes with a detailed guide for auditioning fabrics for that quilt project.

Also, read more here about The Tricky Traits of Value!

The best way I have found to truly see the value of a fabric is to take a black and white picture.

How to use black and white image
Check your values by taking a black and white picture.

If you are in one of my classes, you see that I don’t give any opinions about fabric options without seeing a black and white photo first. Even with years of experience looking at both sides of fabric, I can still be tricked by color! Quilters seem to have lots of fun with the process of auditioning and choosing fabrics. Oftentimes, they help each other and end up trading fabrics to get just the right mix for their project.

So grab your stash and your camera !

Now you know the how-to tip for determining value. Why not have fun practicing on a quilt made with BOTH beautiful sides of fabric!

How to use both sides of fabric in bouquet quilt.
Kate’s Bouquet is made with both beautiful sides of two fabrics. It’s all about value!
Image of Three Quilts
More than 45 patterns that use BOTH sides – SHOP HERE!
Image of Quilt with Bee.
Phoebee was designed using both sides of a focal fabric.

As you can see above, Phoebee’s focus fabric is strong enough to accommodate even medium background fabrics.

Have fun playing with value and enjoy your quilting journey!

JOY Quilted Wall Hanging Pattern

JOY is a quilted wall hanging pattern which uses both sides of one focus fabric on a wintery background.

Joy: cheer, glee, gladness, festivity, jubilance, exultation

This #usebothsides pattern was one of my first designs. See more than 40 patterns now in my Etsy Shop: CreativeBeeStudios.

See Christmas Quilts in July for a smaller quilted wall hanging pattern made with broderie perse and one focus fabric!

There are many, MANY Christmas fabrics which would make a great JOY quilted wall hanging.

You can choose modern circles, snowflakes, poinsettias, cookie cutters, etc. Each gives a different feel to this Christmas tree wall hanging. The trick is to find a focus fabric you love whose reverse side sparkles -but with a lesser value.

I happened to find one that gives a vintage flair to the quilt. These vintage glass ornaments sparkle on both sides of the Hoffman Digital Spectrum fabric called All Aglow Christmas.

Image of Fabric

Now take a look at this focus fabric!

Image of Tree Wall Hanging

Make this JOY with Hoffman’s Supernova Seasons panel!

This version features a lighter, snowy background. You’ll see cardinals on a lighted wire and little red trucks. Both accent strips are reversed to let the focus fabric shine.

Shuffle through your Christmas stash and make up some JOY to make the Christmas season bright!

Give a little JOY this Christmas season!

What kind of fabric would you use for a JOY tree? When do you start your Christmas decorating or festivities?

Subscribe below to get the latest tips, tricks, new pattern announcements and more from Creative Bee Studios!

Colorful Wings – Three New Quilt Patterns

Introducing three quilt designs using BOTH sides of your focus fabric.

It all started with Phoebee (See Designing Quilts by Chance) and yardage of a Hoffmann Digital Spectrum print named Crystalia Rainbow.

Classes starting in September. Patterns available now.

After being inspired at quilt market (See Six Favorites from Quilt Market), I knew I wanted to mix lots of different fabric types to make a bee quilt. While I thought the shape of the bee would be “in the mix”, the background is actually where I used a variety of styles of fabrics:

chicken wire fabric from the 90’s, inherited from my mother-in-law, Pat, (love)

modern word fabric,

batiks,

and pieces of selvage…

with a few accent strips of color.

Patterns available in my Etsy shop: https://www.etsy.com/shop/CreativeBeeStudios

My Crystalia fabric became my bee. Her flowers I made from the “wrong” (such a harsh word) side of the same fabric.

I guess you could call the flower technique a “modern broderie perse” (thank you, Kelly). They are made with simple, fusible applique and are cut without fussing about the edges – in fact, I encourage letting background show through as it ties the two sides of the fabric together in the quilt.

In my classes and in my patterns, I point out that all reverse sides of fabric are not alike — audition your front AND back sides with your background fabrics.

The best way for me to describe a good reverse side is to say that it should “sing” just as much as the front, just with lesser value.

Image of Bee Quilt

Phoebee

One thing I liked most about Phoebee was that she seemed to be getting her life and beauty from the flowers. Thanks to the hubby for her name–which in Greek actually is spelled with two “e’s” at the end and means “bright, pure”.

Image of Class FlyerNext came Belle. She’s a French butterfly. Belle means “beautiful” (I NEVER got that about Beauty and the Beast – blush).

I found Belle’s fabric, Estate Gardens by Andover at my local quilt shop, The Golden Needle. I used similar neutrals in her background, but stayed with different shades of gray (some reversed) for the accent strips. Her binding is made with the reverse side out.

Note: I like to mix all shades of neutrals – white whites, beiges, off-whites- and all types of fabrics like tiny prints with batiks and novelties.

Image of butterfly quilt

Last but not least, meet Lily.

Lily is a sweet dragonfly made from Tree of Life fabric by Chong A Hwang for Timeless Treasures, also found at my local quilt shop.  Her background accent strips are in aqua because a) that’s my favorite color and b) I wanted to connect her to the water locales dragonflies love.Image of dragonfly quilt

Visit my Etsy page or The Golden Needle for patterns. If you are interested in weekend or evening classes, let me know in the comments below.

Next up is a review of value, very helpful for auditioning fabrics for Colorful Wings quilts! Don’t miss a post – sign up below for email notification! Thanks so much for following.  Karla

 

 

 

Designing Quilts by Chance

In this quilt, I used the front AND reverse side of its focal fabric.

How do you design a quilt? Do you use graph paper and draw out the design with exact proportions? Do you use color pencils or do you label the drawn areas with the colors of fabric or values you’ll use? Do you use a quilt design software or a tablet quilt design app?

Yeah…not me.  A quilt often comes to life in my head… very vaguely, kind of like a mystery unfolding.  I ponder the idea until I start to pull fabrics from my stash and start cutting, drawing, and stitching. At least, that’s how Phoebee came to life.

Image of Quilt with Bee.

Phoebee was designed using both sides of a focal fabric.

Phoebee began with a vague idea to use pieced scraps from my stash for the background and use a bee as the main design. That’s about all I knew.  I thought I wanted to use multiple fabrics for the bee as well. I knew the shape I wanted to draw out for my bee, but I wanted to get my background set first for size.

I did use graph paper in my process, but it was after I stitched my pieces together and decided I liked the look. That’s when I wrote down the dimensions and drew the shapes out, labeling which fabrics I used. I used a pencil because my drawings and placement of fabric changed several times in the process.

Once I was happy with the background, I made all my notes and could hardly wait to grab fabrics to design the bee.

NOTE: I don’t clean up ANYthing while I’m in creating mode — I just let it flow and fabric is everywhere!

So here I was, sitting on my floor (because my design wall was {and still is, truth be told} full of a bed-size quilt in progress), trying out fabrics, figuring out how to combine them to make an interesting bee, when one fabric just kept jumping out at me. I finally gave in and decided to use it alone for my bee. That fabric looked really good against the pieced background.

But something was missing. I liked the bee. I liked the background. There needed to be another element – something of surprise or interest and something to “ground” the bee somehow. I moved the extra fabrics aside and accidentally turned the “bee (focal)  fabric” upside down — now THAT was interesting! To use the reverse side of the focal fabric for the flowers the bee was pollinating was exactly what this quilt needed to make sense, be unique, and complete the “story”.

Image of Full Quilt with Bee

Phoebee means bright, pure in Greek.

Phoebee means BRIGHT,  PURE in Greek and she is both! I happened to use a color-dense Hoffman Spectrum Digital floral print for the bee, the flowers and the binding, but any floral, big or small would work which makes this a great stash-busting quilt.

I like the idea that Phoebee is vibrant and the flowers are softer in value as the bee is getting its life from the flowers.

I’m excited to finish writing this pattern and I have hazy plans in my head brewing  of additional designs using pieced backgrounds and one floral focal fabric.

Image of Prairie Point Hanging Method

Prairie Point Quilt Hanging Method

Notice the Prairie Point Hanging Method (click here for details)

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For more information about free-hand stylized quilting, visit my The Quilting Bee page.

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